CLOUDS AND KINGDOMS BY NATE STANIFORTH

AN EXCLUSIVE, LIMITED-EDITION RELEASE OF ORIGINAL MAGIC FROM THE CREATOR OF THE LOTTERY TICKET AND AUTHOR OF HERE IS REAL MAGIC
“A RARE OPPORTUNITY TO LEARN MASTERPIECES FROM THE WORKING REPERTOIRE OF ONE OF THE BEST.” – C0LIN MCLEOD
For the past 15 years, Nate Staniforth has toured the United States with his stripped-down, ‘unplugged’ stage show, performing direct, no-frills magic at colleges, clubs and theaters. His Lottery Ticket prediction has been featured by superstars like David Blaine and Dynamo, and his recent memoir Here is Real Magic has been embraced by magicians around the world for its open and honest exploration of wonder, disillusionment, and magic. “Nate is one of my favorite magicians,” wrote Derren Brown. “This is a beautiful and original book by a beautiful and original mind.”

In Clouds and Kingdoms, Nate shares a collection of his best material, honed over hundreds and even thousands of performances and published here for the first and only time. For the working professional, this book offers over 30 minutes of road-tested material that travels easily and does not require elaborate equipment. For the student, Nate advances several key principles as he teaches his creations. How do you layer multiple methods together within a routine so an audience will swear that you never did anything? How can you make a routine better by making it harder? And—most importantly—how can you take something inherently deceptive like an illusion and use it to give your audience an experience that feels genuine and magical.

CONTENTS
FOUR MIRACLES. TWO ESSAYS. A ONE-TIME, LIMITED EDITION RELEASE.

DOLLAR
Nate’s reconstruction of the Bill-to-Impossible-Location plot. Under test conditions a bill is borrowed, initialed, serial number memorized, and then burned to ashes only to reappear—not at the end of the routine in an impossible location as usual but rather at the beginning of the routine as a kind of impossible object that somehow exists before it should. Unbelievably, there are no switches and no pre-show. Dollar introduces a new utility move that allows this routine an unprecedented level of clarity and cleanliness and will invariably be used for countless other plots and routines in the years to come.

PHONE CALL
Nate’s version of the classic Wizard illusion and the closer to his stage act for two years. An onstage prank call turns into a miracle when the stranger on the other end of the line of a randomly selected phone number accidentally reveals a piece of secret information known only to the people in the theater at the show.

LOTTERY REVISITED
In 2012 Nate released his signature lottery prediction in The Lottery Ticket, a one-time limited edition printing that sold out in two months. To be clear, Nate’s original work on the lottery prediction plot will never be released again, but in this essay he breaks down his thinking on the performance and structure of lottery prediction effects. As Nate writes in the introduction, “In the years since the book’s publication a handful of other systems and methods for my trick have come out from other magicians and I’d like to offer a few thoughts on the performance of lottery prediction effects in general. Think of these as platform-agnostic performance notes from someone who has spent a great deal of time thinking about how to present this kind of material to maximum effect.”

CONSTELLATION
A handful of matches randomly scattered on the ground somehow spells out the name of a spectator’s friend. Constellation is presented alongside an essay about the use of chance, observation, and opportunism in magic and mentalism to create a kind of Trick That Cannot Be Explained without playing cards.

TWO CARD TRANSPOSITION
A card trick for 800 people. Two spectators stand on opposite sides of the stage. Each signs a playing card and holds it folded between their hands. Then, under test conditions— the audience will swear the magician never did anything—the cards switch places. Nate used this on The Today Show and The Next Great Magician and as a feature in his live shows for over a decade.